For sure we wanted a natural, sort of rustic look for this piece. I liked the feeling of peeking into the scene, and wanted to emphasize that with the brown rag matting, Artique's Clove. We needed a little bit of breathing room between the brown and the image, so we added a half inch of a white rag mat to match the paper color. Just leaving space around the image would have felt too open- that second mat also serves to bring us into the scene.
Larson Juhl's Vermont moulding in Granite, one inch wide, was a perfect frame for our scene. It is a comtemporary rustic. It doesn't look old and distressed, but rather like a well worn piece of natural wood. The dark gray coloring, with spots of brown rubbed through, nicely mimics the style of sketching used in the drawing. See how the frame has the same feeling as the shading of the tree? That is what we were aiming for.
Sometimes we have to take into consideration the value of the artwork we are framing in making our decisions. We used a wider mat measurement here, and it works well to add balance. But there is another reason we went a little heavier: we had to take into consideration the paper size and make sure the frame size would be sufficient. A framer should never... NEVER.... cut off the border of a piece of artwork of value. It can sometimes be challenging to make framing choices that take this into consideration and still look great. We got lucky this time- Maria and I took about five minutes to pick this out, which might just be a record!
Of course we finished the job off with conservation glass to protect the artwork from damaging uv rays, and Maria and her boyfriend have a new heirloom- one I hope they will enjoy for years to come!
